"New Line Continued" 2018
Oil on canvas
77' x 101' inches / 196 x 257 cm
Francesca Pasquali
Matured over ten years of research, today the work of Francesca Pasquali is centred around a critical analysis that tends to reflect on the relationship between conception and procedure, placing the artist’s methodological approach closer to the practices of environmental art, relational aesthetics, and interdisciplinary perspective, on one hand, and reuse, recycling and plastic reinterpretation of common objects on the other. Yet, over the years, for certain exhibitions and installations even on a large scale, critical analysis has been focused on her single work cycles, each one of which was developed based on the nature and conformation of the material, on many occasions described by the artist as being the main driving force behind the form of each work. She considers her personal creative action as experiential and process-based, developed from the suggestions that the material triggers in her mind as she studies it. This resulted in various cycles: Frappe, Straws, Bristles, Spiderballs, works made with neoprene, polyurethane foam, and then with playful everyday objects like balloons, rubber bands, and sleigh bells, but also flour and water dough, marble, plastic chips, plastic cups.
Colour is a predominant element in Francesca Pasquali’s artistic research. The artist never intervenes to change or alter the original colour of the materials with which she works, but selects materials according to their chromatic variations. In certain cases, she chooses vibrant, almost violent combinations, while at other times she prefers monochromatic tones, according to the emotional and sensorial effect she wishes to produce. In many cases, the colour of her works is reflected in the surrounding space, characterising the environment and spilling over onto walls and floors, creating a tension that provokes different reactions and feelings in each viewer.
Experience as an obligatory choice, a journey through a material and its aesthetic reactivation without an instruction manual or a validated map, but lived through the making, at a carefully measured pace, between tradition and innovation. Art is made and one comes to know it through its making; the project is only an idea that can be overturned during the process of assembly, composition, and staging. The becoming process is pertinent to the artist’s work and flows through it like sap between artifice and nature: life continues to flow in an inert curled plastic shaving, along fine straws, and among delicate brush fibres. A patient, loving action embraces these materials and symbolically, ourselves as well: art is born where the unexpected occurs.
With her recent works composed of transparent coloured plastic straws, cut to different lengths and assembled even on circular, mirror-polished, Plexiglas disks, Francesca Pasquali has been working on virtual kinetics and the relationship between the artwork and viewer. The vibratile surfaces composed of thousands of plastic straws form works with strong impact: three-dimensional objects that reflect on the potential of extending the artistic gesture within the space, engaging the public in the continuous movement and panorama that activate the transfiguration and transformation of the compositional patterns. In recent years, Francesca Pasquali has been collaborating with technical professionals in experimenting with light projection, sound recording, and Kinect processing. In darkened spaces, these advanced technologies read the movements of the public standing in front of the piece; they project light beams and sounds of varying intensity according to the type of gesture made by the viewer. By switching on the work and bringing it to life, the public becomes involved in a very close and unique, physical and emotional relationship.
BIOGRAPHY
Born in Bologna, she degreded from the Fine Art Academy.
She lives in Bologna, Italy. She works between Brescia, Florence and Paris.
One of the foundress of the Italian Movement Resilienza Italiana.
NATIONAL AND INTERNATIONAL AWARDS
2014 HENRAUX PRIZE, Henraux Foundation, Querceta, Lucca, SECOND PRIZE
Acquisition of a work for the Permanent Collection, Mar Museum, Ravenna
2013 SCULTPURE NETWORK, project of sculptors group curated by I. Bignotti, Munich, Germany, WINNERS
2012 NOCIVELLI PRIZE, Brescia, THIRD SCULPTURE PRIZE
designER, young designers in Emilia Romagna, Fashion Design, WINNER
2011 CO.CO.CO, Como Contemporary Contest, Como, FINALIST
ARTE RUGABELLA PRIZE, Villa Rusconi, Milan, FINALIST
BICE BUGATTI, GIOVANNI SEGANTINI PRIZE, Monza, FINALIST
“A CURA DI…”, young curator prize, Bologna; WINNER S. Gavioli, curator of the project “FabulART” with Francesca Pasquali
2010 RICICLARTI, Visual Art, Padova, WINNER
“IL SEGRETO DELLO SGUARDO, San Fedele visual art prize, Milan, FINALIST
Acquisition of a work for the Permanent Collection, Diocesan Museum, Brescia
ARTE LAGUNA, Tese di San Cristoforo, Arsenale, Venice, FINALIST
ARTE LAGUNA, Italian Institute of Culture, Vienna and Prague, THIRD PRIZE
“A CURA DI…”, young curators prize, Modena, WINNER A. Lerda, curator of the project “Organic Inorganic” with Francesca Pasquali
2009 TALENT PRIZE, visual art contest, curated by N. Zanella, G. Talarico, Rome, MENTION
2008 ARTEINGENUA International Prize, Brescia, FINALIST
2006 PREMIO DAMS, curated by R. Barilli, R. Daolio, National Art Gallery, Bologna, FINALIST
SELECTED SOLO EXIBITION
2015 SPIDERBALL CLOUD, site specific installation, Biennale Giovani Monza, Casa degli Umiliati, Museo Civico, Monza
2014 39.000 LIGHT STRAWS, kinetic-site specific installation, Raccolta Lercaro,
Modern Art Museum, Bologna
CRITICA IN ARTE, Curated by I. Bignotti, Mar Museum, Ravenna
SIXTIES SPIDERBALLS, site specific installation, THE HOUSE OF PERONI, London
2013 MARAZUL 4 GURU, site specific installation, Guru Store, Barcelona
MOTORE:PASSIONE, curated by March Foundation, Padova
SPIDERBALLS 4 GURU, site specific installation, Guru Store, Milan
A ME GLI OGGHI, curated by I. Bignotti, Colossi Contemporary Art Gallery, Brescia
DesignER, young designers in Emilia Romagna, Fashion Design, Modena
2011 SWAB, International Contemporary Art Fair,
curated by Colossi Contemporary Art, Barcelona
SCOPA/mi, curated by D. Nedkova, I. Bignotti, Oltre Dimore Gallery, Bologna
ELASTIC, site specific installation, curated by E. Mayerle, Thetis Foundation, Venice
CAMMINANDO/CONTAMINANDO, site specific installation, Art Fair OFF,
Capo di Lucca, Bologna
2010 METAMORFOSI, curated by I. Bignotti, Diocesan Museum, Brescia
MI SENTO S-GONFIA, site specific installation, Art Fair OFF,
curated by La Pillola Gallery, Bologna
INTRECCI, curated by P. Insolera, Gnudi Palace, Bologna
SELECTED GROUP EXIBITION
2015 RARITY SUMMER SALON SHOW, Rarity Gallery, Mykonos
ART BASEL HONG KONG, Art Fair, Tornabuoni Art, Hong Kong
ART ON LOAN, curated by E. Fiammetta, New Museum of Contemporary Art, Alcamo
RETI DI RESILENZA, curated by I. Bignotti, E. Fiammetta, Atelier del Baglio Di Stefano, Orestaldi Foundation, Gibellina
MACROCOSMI, Ordnungen anderer Art, Organismi fuori centro,
curated by M.Cavallarin, P. Jordan, Teatri di Vita, Bologna
ARTE FIERA, Art fair, Bologna
2014 ART BASEL MIAMI BEACH, Art Fair, Tornabuoni Art, Miami Beach
RETI DI RESILIENZA, SMART CITY, curated by I. Bignotti, E. Fiammetta,
Museum of Contemporary Art, Riso, Palermo
FIAC, Art Fair, Tornabuoni Art, Paris
STREET SCAPE ComOn, curated by C. Canali, I. Quaroni, Museo Civico, Como
ECCENTRICO MUSIVO: young artists and mosaic, curated by D. Torcellini,
Mar Museum, Ravenna
HENRAUX FOUNDATION, prize exibition, Querceta, Lucca
CONTEMPORARY EXPRESSIONS, Tornabuoni Art Gallery, Florence
PUNTI DI PARTENZA: IL MARE VISTO DA MONTE, curated by I.Bignotti, Pav Museum, Tourin
RESILIENZA ITALIANA, curated by I. Bignotti, Spazio Giva, Milan
ARTEFIERA, Art Fair, Colossi Arte Contemporanea, Bologna
BAF, Art Fair, Colossi Arte Contemporanea, Bergamo
D.A.B. jewel design, Maxxi Museum, Rome
2013 ART BASEL MIAMI BEACH, Art Fair, Tornabuoni Art, Miami Beach
O(Ax)=dO(Am) Impossible Equation, curated by, D. Torcellini, Ninapì Gallery, Ravenna
FIAC, Art Fair, Tornabuoni Art, Paris
ART VERONA, Art Fair, colossi Arte Contemporanea, Verona
BIANCO ITALIA, curated by D. Stella, Tornabuoni Art, Paris and Florence
ART BASEL HONG KONG, Art Fair, Tornabuoni Art, Hong Kong
ARTE FIERA, Art Fair, Colossi Arte Contemporanea, Bologna
2012 NaturalMente, Italy Cina Art Biennale, curated by Aikal, Villa Reale, Monza
PREMIO NOCIVELLI, contest of italian contemporary art, curated by Techne, Brescia
PERSONAL EFFECTONSALE, curated by M. Scotti, Esprit Nouveau Pavillon, Bologna
BAF, Art Fair, Colossi Arte Contemporanea, Bergamo
2011 THE OTHERS, Spazio Le Nuove, Art Fair, Oltre Dimore, Tourin
VERONA Art Fair, Colossi Arte Contemporanea, Verona
MIART, Art Fair, Colossi Arte Contemporanea, Milan
ARTE nell’ARTE, Santa Giulia Museum, curated by Colossi Contemporary Art, Brescia
D.A.B. Design for Art Bookshop, MACEF Fair, Milan; Sant’Elmo Castle, Naples
BICE BUGATTI, GIOVANNIO SEGANTINI PRIZE, curated by M. Galbiati, E. Modena, I. Bignotti, Monza
AAM, curated by Colossi Contemporary Art, Milan
L’ITALIA S’É DESTA_150 anni d’unità nell’arte contemporanea, preview of the Unification of Italy exibition, Colossi Contemporary Art Gallery, Brescia
SHINGLE22J, Contemporary Art Biennal, Rome
2010 ATTRAVERSO LO SPECCHIO, curated by E. Modena, Castello dei Pico, Mirandola
FabulART, curated by S. Gavioli, D’Accursio Palace, Bologna
ECOBRAIN, Ecomondo International Trade Fair & Energy Recovery and Sustainable Development, curated by M. Cavallarin, Rimini
IL SEGRETO DELLO SGUARDO, San Fedele exibition Prize, San Fedele Gallery, Milan
COLLETTIVA IN BIANCO, Oltre Dimore Gallery, Bologna
ART and THE CITY, curated by S. Gavioli, Spazioblue, Bologna
RICICLARTI, curated by N. Bordiglia, M. Merlin, ex Macello, Padova
ARTE LAGUNA, Italian Institute of Culture, Prague and Vienna
ARTEinATTESA, yuong artists of Emilia Romagna for the Politecnico of Modena
ARTE LAGUNA PRIZE, Tese di San Cristoforo, Arsenale, Venice
ORGANIC-INORGANIC, curated by A. Lerda, Neon/campo base Gallery, Bologna
2009 PREZIOSI, SCULTURE DA INDOSSARE, curated by M. Galbiati, Leo Galleries, Monza
ECOLE DEL RUSCO, site specific installation, curate by Ciclostile Architettura, Piazza Liber Paradisus, Bologna
2008 “CONTEMPORARY ART”, curated by P. Insolera, Casa Lavallé, Bruxelles
“ATTO PRIMO”, curated by I. Bignotti, C. Cordoni, Guido Iemmi Gallery, Milan
2006 100 ANNIVERSARY ESTATE 1906-2006, S.Croce Municipal Gallery, Cattolica
FESTIVAL DELLE ARTI, Sala Museale del Baraccano, Bologna
PREMIO DAMS, curated by R. Barilli, R. Daolio, National Art Gallery, Bologna
PUBLICATIONS
2014 PREMIO FONDAZIONE HENRAUX, prize catalog, edited by E. Mattei, Henraux Foundation, Lucca
RESILIENZA ITALIANA, dialogues and reflections, Mimesis Ed.
CRITICA IN ARTE, monograph, edited by I.Bignotti, Mar Museum, Ed. La Greca
BAZART CINA, Sofia Straws for Salvatore Ferragamo
2013 BIANCO ITALIA, edited by D. Stella, Forma Ed.
TITOLO, “Azzardi creativi e rischi critici”, edited by I. Bignotti, Rubbettino Ed.
THE TREE MAG www.thetreemag.com
VORMPLATFORM www.vormplatform.com
CLASS, “Opere che si fanno guardare e toccare”, monthly, March
2012 FRANCESCA PASQUALI, monograph, edited by I. Bignotti,
Colossi Contemporary Art, Colorart Ed.
PERSONALEFFECTSONSALE, exibition catalogue, Danilo Montanari Ed.
DC dentro CASA, monthly, Nov
2011 A CURA DI, catalog of the three editions of the regional competition for young curators and art critics, edited by O. Corradini
CO.CO.CO. Como Contemporary Contest, exibition catalog, curated by L. Cherubini
MIRAME, monograph, curated by I. Bignotti
BICE BUGATTI, GIOVANNI SEGANTINI PRIZE, exibition catalog, curated by M. Galbiati,
I.Bignotti, E. Modena
SHINGLE 22J ECOARTE, exibition catalog
ARTE CONTEMPORANEA, monthly, June-Aug, written by I. Bignotti
INSIDEART, monthly, Mar, Talarico Ed.
2010 JULIET n. 150, monthly, Dec-Jan, written by I. Bignotti
JULIET n. 149, “Insonnie creative”, monthly, Oct-Nov, written by I. Bignotti
INTERNI n. 606, monthly, Nov
BARCHE, “L’anima della materia”, monthly, july, written by L. Biazzi
ELLE DECOR, monthly, April
ARTE LAGUNA PRIZE, exibition catalog
INSIDEART, “Sintetiche evocazioni”, monthly, curated by M. Marchionni
2009 IL SEGRETO DELLO SGUARDO, exibition catalog, San Fedele Prize
ELLE DECOR, monthly, Nov
TALENT PRIZE, exibition catalog
2008 IL RESTO DEL CARLINO, “L’appartamento diventa Galleria d’Arte”,
written by C. Fabbri, Bologna
TERNA PRIZE, website, cat. Gigawatt, cod. 3084
2006 GUIDA ALLO STUDENTE 2006, Bologna Fine Arts Academy Guide
DAMS PRIZE, exibition catalog, Young Artist Biennal
CRITICAL ANTHOLOGY
R. Barilli, L. Biazzi, N.Bordiglia, A. Borogelli, I, Bignotti, C. Canali, R. Daolio, C. Fabbri, M. Galbiati, C. Gatti, S. Gavioli, A. Lerda, M. Marchionni, E. Mayele, M. Merlin, V. Mosca, D. Nedkova, I. Quaroni, D. Stella, G. Talarico, D.Torcellini, F. Vason, N. Zanella
“Spiderballs” 2017
colorful spider webs / pom poms
metal frame, anthracite gray lacquered
110h x 90w x 24d cm
“Spiderballs” round
colorful spider webs / pom poms
metal frame, anthracite gray lacquered
80 diameter X 25d cm
“Setole” ( Bristles ) , 2017
colored pvc bristles, metal frame, anthracite gray lacquered
60 x 60 x 10 cm
“Bristles” 2019
colored pvc bristles, cream lacquered metal frame
90h x 60w x 10d cm
"B-side”, 2017
writable fabric with opaque gold / silver sequins,
anthracite gray lacquered metal frame
120h c 110w x 19d cm
New baroque Round, 2016
white pvc shavings,
metal frame, white lacquered
diam 140 x 25d cm